Breath Of The Wild 2 Should Do Away With Flashback Storytelling

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댓글 0건 조회 25회 작성일 25-11-21 04:03

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Link can’t speak, making Zelda the emotional core of a story in desperate need of one. Our protagonist can only stop and stare, providing the occasional nod or grunt to ensure he is with Zelda regardless of whatever circumstances might greet them. Given that so many of Breath of the Wild’s strongest moments are fragmented flashbacks and snapshots of Link’s own memories, it told a wonderfully coherent story of bittersweet heroism. Sacrifices are required to save the world, and Zelda is fully aware of the need to step forward and face the music even if it means giving herself up. She does this, but Link is able to save her, and Breath of the Wild 2 should explore their new lives and the inevitable threat that has the potential to wipe them out once ag

Breath of the Wild tells an achingly human tale, but to uncover it you’ll need to invest dozens of hours into scouring Hyrule in search of brief cutscenes that chronicle Link and Zelda’s doomed pilgrimage in search of allies. None of the flashbacks are told with any sense of chronology, so you’ll stumble across them randomly and be forced to work out exactly what is going on and how it factors into the overall adventure. This mirrors Link’s own amnesia, so it feels like we’ve truly been placed in his shoes, trying to work out how our friends were lost and what we can do to save whatever it is they left behind.


I couldn’t get into Breath of the Wild and I couldn’t get into Ocarina of Time. I’ve had zero luck with 3D Zeldas, but I get why they’re popular and beloved. I used to boot up Breath of the Wild simply to throw things into the cooking pot for that sweet jingle. It’s teeming with satisfying little quirks, but it just didn’t click for me. 2D Zelda, on the other hand, is my jam. I love A Link to the Past, Link’s Awakening, and even the original ‘80s release. Given that we’ve been on a 3D high for so long, maybe it’s time to return to that classic appro


Like most Resident Evil games, ammo can be scarce early on. Know what isn’t so scarce? Weapons. Why couldn’t Leon use the various hatchets, pitchforks, scythes, and so forth of his enemies in the origi


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Playable Zelda likely isn’t coming in Breath of the Wild 2. I’ve made my peace with that eventuality, even if it could help push the series forward in some truly meaningful ways. When all is said and done, Link is the hero of this story - the Hero of Time if you haven’t heard - and his presence is more than enough to carry an open world adventure we’ll spend hours being enamoured with when it arrives in 2022. Another mystery protagonist could be waiting in the wings, but whether they are related to Zelda remains to be s


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If Zelda goes back to 2D, it stands alongside the indie scene. It showcases that these older takes shouldn’t be abandoned due to their age. Many other games are doing this already, RPG redemption Stories but none have the clout of Zelda. Going back to 2D with its next main entry - not a remake, remaster, or spin-off - would set a major precedent: not every new triple-A title needs to splash out to make a big blockbuster. It could be a hybrid like Octopath Traveler with its 2D sprites on top of its paper-like background, or it could go the full mile and be completely 2D. Whatever it does, going back would be refreshing for gaming and it could pave the way for other studios to do similar things with their own catal


The only problem is that the game's color palette is very brown. Although the art direction is excellent overall, especially where the game's dangerous monsters are concerned, the uniqueness of certain settings suffers on account of a lack of variation in the game's color scheme. This is especially noticeable when compared to the expressive, richly detailed colors of the first three Resident Evil titles. That's one of the reasons the classic fixed-camera games are worth playing today , so the remake's producers should take the opportunity to widen the variety of colors used in the g

Hyrule is no longer a land of the unknown. We’ve explored it for literal days as we talked to citizens, tackled shrines, and eventually saved the world. People know who we are and what we’ve accomplished, so take advantage of that reputation and use it to shape the land in our image. Link shouldn’t be given a voice, but for a narrative set in the here and now to work his identity will need to be cemented in the surrounding landscape. I want to step back into reimagined versions of Zora’s Domain and Kakariko Village and be greeted with open arms by a populace who are happy to see me and perhaps want help with a few local issues as a larger conflict rages on in the background.

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